Influenced by historians of colonialism or racialised subjectivities he produces small-scale drawings that reproduce cropped elements, superimpositions, unedited photographs, and printed reproductions of archival images in a mimetic fashion. These works are often displayed alongside other small-scale reproductions of objects or images that construct narratives through the prising together of seemingly unrelated images. At stake within his projects is the restructuring of histories forgotten, distorted, or unnaturally fissured from conceptions and iterations of knowledge by colonialism or historical violence. He is particularly interested in archives and where hermeneutics of race and sexuality converge.