My art explores the intricate themes of conditioning, trauma, and the experience of living within dysfunctional family settings. Through my work, I delve into the process of breaking free from toxic relationships and observe the cycles and patterns in nature and human behavior. My practice underscores the strength of the mind and the concept of neuroplasticity, highlighting the capacity to recondition and rebuild life after trauma and depression. These explorations are presented through the lens of being a woman and a female artist, navigating the challenges of often having to compromise for support within a "brotherhood" of predominantly male-dominated sphere. As a continuous migrant, I keep field notes and journals over a period of 15 years living in different countries and speaking several languages. I use mixed media, collage, charcoal, acrylic, and pigments, and frequently paint on unprimed and unstretched canvas; I find this way to be very natural and organic, allowing the artworks to move with a slight current of the wind and be hung from the ceiling away from the wall, permitting the works to become alive, living subjects. During exhibitions, I emphasize the importance of participatory elements and stimulation of various senses: visual, tactile, auditory, smell, and eventually taste.