Kyle McGhee's studio practice, sitting between painting and sculpture, acts in response to the cyclical process of constant reconstruction and regeneration of the urban landscape. Drawing heavily on Glasgow's history of constant change he questions and reflects its temporality in manipulating sculptural objects, leaving them always under construction. Building plans, aerial mapping, instructional drawing and cheap industrial materials form cornerstone references in his work, repeating and fragmenting as the forms are found to be always in progress, subject to change or simply unresolvable.

There may be no permanent composition and everything present could shift, reform or completely disappear. The past has been obscured to bring forth the present, which reminds us, time and time again, the state of the provisional city.