As a Jamaican British artist, my practice seeks to reconcile the intricate layers of my dual identity, exploring the intersection of heritage, colonialism, fantasy and personal experience. Airbrushing has become my primary tool, not only for its technical precision but for its ability to evoke a sense of fluidity and depth that mirrors the complexities of my cultural roots. Through this medium, I create realistic portraits that reflect both the vibrancy of Caribbean life and the nuanced nature of the diaspora experience.
Growing up in the UK, with deep familial ties to Jamaica, I often felt caught between two worlds. On one hand, I was influenced by the rich colourful traditions of Jamaican culture the music, food and the visuals that emanates from the island. On the other hand, my British upbringing brought its own set of expectations and challenges. The airbrush became a way for me to bridge these cultural divides, a tool that allowed me to express both the sharp contrasts and the subtle harmonies that exist within my lived experience.
Airbrushing for me is not just a technique it's a metaphor, the smooth gradual blending of colours and gradients reflects the way I navigate between my Jamaican heritage and my British identity. I use airbrushing to create detailed portraits, abstract forms and stylized representations of everyday life that highlight both the joy and struggle of living as a black person in a post decolonial Britain.
A key element of my work is the exploration of Afro-Caribbean iconography, folklore, and social commentary. I am currently working on a project that reference elements of the island's history and spirituality, incorporating visual cues from reggae music, Rastafarian symbolism, Afro-Caribbean traditions, and folklore. These influences come together to form a visual language that speaks to the complexities of migration, identity, and belonging. Each piece is an attempt to capture a feeling, an emotion, or a moment that transcends the individual and speaks to the collective experience of the African diaspora.

Warm regards,
Daniel Smalling-Bennett